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Our Lady of Grondici (Grondici, Italy)
Commemorated on January 23
The shrine was built to protect a Madonna painted in a shrine, known for the miracle of having raised a child.
Inside is a tapestry made in 1495 by Gregory Gregori, who painted a tempera of the Virgin and Child enthroned and Saints Sebastian and Roque.
The custody of the sanctuary was given by hermits until the beginning of '900. EL shrine stands on a hill in the forest, was completely restored in 1950.
The sanctuary is located in Tavernelle, which is a fraction of the town of Panicale Perugia, Umbria.
Surge in the thirteenth century as a stopping point for those traveling from Perugia to Città della Pieve.
The name Grondici drift suggrundarium, Latin indicates where the dead children were buried without being baptized (Grund sub that is, under the eaves of a roof) within the church is a tapestry that recalls an incident that led to the birth sanctuary in the fifteenth century to protect a sacred building that contains the image of the Virgin. Guard for four centuries by the hermits, the sanctuary is identified in folk tradition as a miracle for women who can not have children.
In 1816 the Napoleonic occupation of the territories Missiano, Tavernelle, Mongiovino, Colle San Paolo Montali and annexed to Panicale. From 1942-1943, was instituted in Tavernelle a fascist internment camp for prisoners of Yugoslavia.
History
The term Grondici with which is called the sanctuary located in Macereto Panicale, Perugia, derived from "Suggrunda" which means that part of the roof spout projecting from the outer wall of a building.
The Romans used the term SUGGRUNDIARIUM to indicate the place where the dead children were buried before 40 days of life.
Parents who had not been able to baptize their children lived in a state of intractable pain as a result of the fact of not being able to imagine limbo, and the fact that he was not allowed burial in holy places children who die without baptism.
Between the sixteenth and seventeenth centuries was widespread in Europe the emergence of sacred places where immediate resurrection expected, the shrine of Our Lady of Grondici is linked precisely to the shape of these sacred places, because parents of children carrying the bodies the altar with the holy image in the hope that some faint signs of life allow baptism and small body could enter heaven and have a decent burial in consecrated ground.
When little body could not be baptized, was buried under the eaves of sacred place, hence the title Our Lady of Grondici, or Our Lady of the people buried under the eaves.
The Shrine of Our Lady of Grondici is nestled between oak forests, olive trees, cypresses and pines on a panoramic, very suggestive position. The sanctuary custody miraculous picture painted by Gregorio Gragari painted in 1495.
The place is destination of many pilgrimages, thanks to the presence of the miraculous image considered and tranquility of the place itself.
The shrine was erected to commemorate the resurrection of a child.
As time has become a sanctuary of fertility, and even today, mothers use the miraculous image to ask for the grace of a child. The sanctuary was probably guard for four centuries by hermits.
23 January homage to the image of the Virgin as protector and guardian of the family pays. It is known since the last century.
May 1: Since 1972, repeats this event, which has taken over time the true character of party. The anniversary of the dedication of the new sanctuary was held on 1 May 1986 is recalled.
August 15 and September 8: Gran presence of pilgrims Description
Inside you can see a tapestry of 2m 1 80m. On the canvas shows two levels: the top represents the Virgin enthroned between San Sebastian and Roch, the bottom shows two devotees kneeling next to a table with a child and two of them really devotees praying next to a watchdog of the house.
The Virgin is seated on a marble throne, wearing the naforium, a blue veil, falling from head to toe and a purple robe.
Holds with both hands a child in act of blessing, goodness and tenderness particularly captures. Top of the halo of the Virgin are placed two angels praying with outstretched wings on both sides two known fighters plague, San Sebastian and San Roque.
The presence of the two saints are led to believe that this building was considered a bulwark against the plague, and a sanctuary of respite.
Below is represented the interior of a church with an altar in the center and a naked boy with his eyes open. To the right of the altar, we see that the father and mother accompanied by a hermit, three in prayer. The hermit is Matteo Fray, keeper of the shrine, the monk prays for the grace of the temporary resurrection of children.